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Untitled Document
Cultures d'arxiu
(octubre - noviembre de 2000
Fundació Antoni Tàpies, Barcelona)
- Recorrido
- Documentos
- Guía
Cultures d´arxiu:
memòria, identitat, identificació
(julio - septiembre 2002 Universitat de València. La Nau)
- Recorrido
- Boletín:
solicita nuestro boletín nº1 (gratuito, incluir dirección)
Culturas de archivo: fondos y nuevos documentos
(febrero - marzo 2003 Universidad de Salamanca. Palacio Abrantes)
- Recorrido
- Boletín:
solicita nuestro boletín nº2 (gratuito, incluir dirección)
Taller: arte, exposición, memoria
(octubre 2003. UPC, ETSAB. Barcelona)
Taller: arte, exposición, memoria II
(octubre 2004. UPC, ETSAB. Barcelona)
Culturas de archivo IV: representaciones
Febrero-abril 2005
Espacio-archivo
Monasterio de Nuestra Señora de Prado
Autovía Puente Colgante s/n
Fondo Ángel Ferrant
Patio Herreriano
Museo de Arte Contemporáneo Español
Jorge Guillén, 6
Sala de Referencia Planos y Dibujos
Archivo de la Real Chancillería de Valladolid
Chancillería, 4
Organización y producción: Junta de Castilla y León
Taller/Worshop: Culturas de archivo
Septiembre/September 2005
Universitat Politècnica de Catalunya
Escola Tècnica Superior
d'Arquitectura de Barcelona
- Visita al archivo districte Sants-Monjuic 28 septiembre 2005
Octubre/October 17-23 2005
KUNSTAKADEMIET I TRODHEIM
Fakultet for arkitektur og billedkunst
Lectures and workshop: Archive Cultures
Photogalleries:
- Lecture
-Temporary Library
- Visiting Legal Museum
- Visting Stadtarchiv
- Working on reference room
Participación en SEMINARIO DOCUMENTALIDADES. CGAC.
14 octubre 2006
ver más
Participación en el seminario "La imagen fantasma". Barcelona, Fundació Antoni Tàpies, 28 noviembre 2006
Participación en el simposio internacional "Revistas y Guerra". MNCARS, enero 2007
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Ideas recibidas
Un vocabulario para la cultura artística contemporánea
Curso-programa de conferencias
MACBA Octubre/October 2008
Archivo: el acceso al saber/poder y las alternativas a la exposición
ALLAN SEKULA.
ver más
Conversaciones abiertas Dictadura, Arte y Archivo
Casa Amèrica Catalunya. c/ Còrsega, 299. Barcelona
7/8/9 OCTUBRE 2008 www.americat.net
Programa
Libro Santiago Roqueta. Co-edición y concepto.
El libro constituye un montaje de documentos imágenes y rastros dejados por S.R. en su actividad profesional y docente.
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 Tema:
Following are the News Items published under this Topic.
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What George Orwell Wrote, 70 Years Later to the Day
Enviado por editor en Miércoles, 27 Agosto, 2008 - 10:08 (6424 lecturas)
Tema Biografía / Biography
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nytimes.com
By NOAM COHEN
Published: August 24, 2008
Aug. 12 began as a hot morning in Aylesford, Kent, England, only to be followed by a powerful thunderstorm in the afternoon. Meanwhile, the blackberries were beginning to redden.
Aug. 12, 1938, that is.
The observations were made by George Orwell, whose copious diaries are now being published every day in blog form, exactly 70 years after they were made. The scholars behind the project say they are trying to get more attention for Orwell online and to make him more relevant to a younger generation he would have wanted to speak to.
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Actualidad: Entrevista Ben Fernandez / Interview Ben Fernandez
Enviado por editor en Sábado, 09 Junio, 2007 - 10:53 (11676 lecturas)
Tema Biografía / Biography
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Nota: Production: Culturas de archivo.
Author: Adriá Lahuerta
Photographer, Benedict Joseph Fernandez, III is a native New Yorker and former chair of the Parsons School of Design/ New School Photography Department for 22 years.
Subjects for his historical work includes ghetto children, New York's Hispanic community, the protest movement of the 60's. a dramatic photo essay on Dr.Martin Luther King, Jr., a serieas on bikers and a documentary series on China.
This movie is part of the collection: Open Source Movies
Producer: Adria Lahuerta for Archive Cultures Project.
Keywords: photography; vietnam; black rights; archive; Luther King
Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0
www.archive.org
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Spanish Nazi camp 'survivor' lied
Enviado por editor en Sábado, 14 Mayo, 2005 - 09:10 (6783 lecturas)
Tema Biografía / Biography
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BBC
12 May, 2005
A leading representative of Holocaust survivors in Spain has admitted to being "an impostor".
Enric Marco told Spanish TV he was never held in the Nazi concentration camp of Flossenburg as he had claimed for nearly 30 years.
Mr Marco, 84, was head of the Amical de Mauthausen group, named after the camp in Austria where the Nazis held most of their Spanish political prisoners.
His lies were discovered by a historian researching his story.
Mr Marco admitted: "I wasn't in a concentration camp. I was held in captivity and the Nazis did impose penalties on me. But that does not exonerate me from being an impostor."
He addressed the Spanish parliament in January, at a moving event marking the 60th anniversary of the liberation of Auschwitz.
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Spanish Nazi victims' chief says was never in camp
Enviado por editor en Sábado, 14 Mayo, 2005 - 09:05 (6012 lecturas)
Tema Biografía / Biography
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MADRID, May 11 (Reuters)
- The former head of a Spanish association of Nazi concentration camp victims said on Wednesday he was never actually a prisoner in any camp and had lied for almost 30 years about his past.
Enric Marco, who published a book entitled "Memories of Hell" in 1978 about his experiences, confessed he had invented his account of suffering in Germany's Flossenburg concentration camp.
"Why? It was a way of getting as close as possible to say what I needed to say," Marco told Telecinco television on Wednesday. "I took on the part of other companions who because of age or other reasons could not play this role."
The 84-year-old flew back at the last minute from the commemoration of the 60th anniversary of the liberation of the Mauthausen camp in Austria after a Spanish historian said Marco's name did not figure in Flossenburg's archives.
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Biblioteca / Library: Picturing Ourselves
Enviado por editor en Lunes, 25 Abril, 2005 - 01:57 (7482 lecturas)
Tema Biografía / Biography
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Rugg, Linda Haverty Picturing Ourselves: Photography and Autobiography. 293 p., 40 halftones, 5 line drawings. 6 x 9 1997
Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As Linda Haverty Rugg convincingly shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act.
Rugg tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself.
Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored
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