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Untitled Document
Cultures d'arxiu
(octubre - noviembre de 2000
Fundació Antoni Tàpies, Barcelona)
- Recorrido
- Documentos
- Guía
Cultures d´arxiu:
memòria, identitat, identificació
(julio - septiembre 2002 Universitat de València. La Nau)
- Recorrido
- Boletín:
solicita nuestro boletín nº1 (gratuito, incluir dirección)
Culturas de archivo: fondos y nuevos documentos
(febrero - marzo 2003 Universidad de Salamanca. Palacio Abrantes)
- Recorrido
- Boletín:
solicita nuestro boletín nº2 (gratuito, incluir dirección)
Taller: arte, exposición, memoria
(octubre 2003. UPC, ETSAB. Barcelona)
Taller: arte, exposición, memoria II
(octubre 2004. UPC, ETSAB. Barcelona)
Culturas de archivo IV: representaciones
Febrero-abril 2005
Espacio-archivo
Monasterio de Nuestra Señora de Prado
Autovía Puente Colgante s/n
Fondo Ángel Ferrant
Patio Herreriano
Museo de Arte Contemporáneo Español
Jorge Guillén, 6
Sala de Referencia Planos y Dibujos
Archivo de la Real Chancillería de Valladolid
Chancillería, 4
Organización y producción: Junta de Castilla y León
Taller/Worshop: Culturas de archivo
Septiembre/September 2005
Universitat Politècnica de Catalunya
Escola Tècnica Superior
d'Arquitectura de Barcelona
- Visita al archivo districte Sants-Monjuic 28 septiembre 2005
Octubre/October 17-23 2005
KUNSTAKADEMIET I TRODHEIM
Fakultet for arkitektur og billedkunst
Lectures and workshop: Archive Cultures
Photogalleries:
- Lecture
-Temporary Library
- Visiting Legal Museum
- Visting Stadtarchiv
- Working on reference room
Participación en SEMINARIO DOCUMENTALIDADES. CGAC.
14 octubre 2006
ver más
Participación en el seminario "La imagen fantasma". Barcelona, Fundació Antoni Tàpies, 28 noviembre 2006
Participación en el simposio internacional "Revistas y Guerra". MNCARS, enero 2007
ver más
Ideas recibidas
Un vocabulario para la cultura artística contemporánea
Curso-programa de conferencias
MACBA Octubre/October 2008
Archivo: el acceso al saber/poder y las alternativas a la exposición
ALLAN SEKULA.
ver más
Conversaciones abiertas Dictadura, Arte y Archivo
Casa Amèrica Catalunya. c/ Còrsega, 299. Barcelona
7/8/9 OCTUBRE 2008 www.americat.net
Programa
Libro Santiago Roqueta. Co-edición y concepto.
El libro constituye un montaje de documentos imágenes y rastros dejados por S.R. en su actividad profesional y docente.
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_THISISCATEGORYnon metaphorical archive/archivo no met.
Following are the News Items published under this Category.
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non metaphorical archive/archivo no met.: Women and the Archive: A Partial Disclosure
Enviado por editor en Miércoles, 11 Marzo, 2009 - 10:01 (6927 lecturas)
Tema Archivo Comentado
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Saturday 14 March 2009, 1-6pm
The Women's Library
London Metropolitan University
25 Old Castle Street, London E1 7NT, UK
Women and the Archive: A Partial Disclosure presents four perspectives
on the relationship between women and the archive in contemporary
artistic production. Artists, collectives and researchers using archives
as source material or constituting archives as their primary activity
are invited to present their rarely shown collections of photographs,
videos and audio recordings around women of artistic, social and
political importance. Issues of provenance, methodology, property and
historicisation will be addressed throughout the afternoon via
presentations, screenings, performances and a panel discussion.
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non metaphorical archive/archivo no met.: Regenerating Women from Words
Enviado por editor en Sábado, 28 Febrero, 2009 - 04:17 (6896 lecturas)
Tema Archivo Comentado
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www.columbiaspectator.com
February 1, 2009
by Brooke Rosen
What qualifies as a meaningful life? How does one distinguish one life’s worth from another? These questions have countless answers, but one particularly academic solution made its case Friday at Low Library: archiving.
Archiving is a practice that explores the uniqueness of an organization or individual, as well as his or her research value. Last Friday, the Archiving Women conference in Low Library brought to light the lives of women in the shadows—women whose existence, past or present, is worth investigation and documentation.
A number of archivists, published writers, and professors spoke at the conference, including several members of Columbia’s English Department: Farah Jasmine Griffin, Brent Edwards, and Marianne Hirsch. The speakers were organized into three panels: “Feminist Practices in the Archive,” “Creating New Archives and Collections,” and “Collecting and Being Collected.” Although each two-hour segment was intended to address the more technical questions regarding archival practices, the speakers could not help but let their personal motives direct the flow of their words.
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non metaphorical archive/archivo no met.: Ruta Remake. This is no piano.
Enviado por editor en Domingo, 16 Marzo, 2008 - 03:19 (8099 lecturas)
Tema Archivo Autor/Author Archive
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Apparatus and voice
Jorge Blasco Gallardo
In this context, Ruta Baciulyte and Ruta Gostautiene suggested a specific weaving pattern named “ruta” (Ruta / rue) that refers to a perennial plant having a strong, heavy odour and a bitter taste; also known as a ‘herb of grace’. In Lithuania, this pattern was imbued with different meanings, such that over the course of time it has as well routed through gardens and common language to become an icon representing virginity and femininity, despite the reputed efficiency of the plant in inducing abortions.
Nomeda & Gediminas Urbonas, Ruta Remake, 2002, Installation View, Secession 2003
Apparatus, tool, instrument
Ruta Remake is a comprehensive process involving the gathering and organisation of what has been collected. Yet that collection is inevitably contemporary, hybrid, impure and mixed. Collection is made of voices, vestiges of tradition, and they are composed in accordance with a pattern defined by the very plant that lends its name to the title of the work, a pattern whereby different levels of voice will be interwoven to form a fully meaningful song. It is not just any pattern, nor so the different songs forthcoming, it is a pattern stemming from a tradition that has framed a space for the muting of women’s voices that understands the weaving as writing, that is followed by singing as way of story telling.
The organisation of what has been collected, in principle, has nothing in common with the standard features of a “scientific�? study and they all have something to do with banishment/detachment from one’s own close reality. The objectified outcome of Ruta Remake is an apparatus, an electronic instrument, the Theramidi.
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